Did this once before for the Sopranos, but I think there are more Mad Men than Sopranos fans around here.
I watched the pilot years ago and it didn't grab me at all. And all the super fans I knew loved the series for all the wrong reasons (basically Entourage fans who wanted to pretend their fantasies were classy). But I caught some of an interview with Matthew Weiner recently and he was so articulate and interesting about what he was trying to accomplish with the arcs in Mad Men that I wanted to give it another shot.
Glad I did. I'm now closing in on the end of season 3 and it's fantastic. Season 2 is by far better than season 1, but I'm not sure which I'll prefer between 2 and 3 until I finish the last two episodes. If they're as good as episode 10 ("The Gypsy and the Hobo"), season 3 will be hard to beat.
Nothing new to longtime fans of the series, but in all the discussion I've heard but not bothered with over the years, I'd never realized:
(1) That Don Draper's dual life is really the core of the series. I knew that it was to some degree about identity, but didn't realize how thoroughly that is dealt with and how it forms the undercurrent for very nearly every plot point on the show.
(2) How much the series is nearly as much Peggy Olson's as it is Don Draper's. She's had a bit less going on in season 3, but I might have to take Peggy's arc over Don's in seasons 1 and 2. I just briefly looked, but it looks like Elisabeth Moss didn't win an Emmy until 2013. That's just a pure joke because she destroys every other female performance on television.
If past performance is an indicator of future results, I will power through all but the last season of the series in two weeks and then take three months to finish up. I'm glad to finally know what everyone was abuzz about for so long, though. Always good to find something great that's new to you.
I watched the pilot years ago and it didn't grab me at all. And all the super fans I knew loved the series for all the wrong reasons (basically Entourage fans who wanted to pretend their fantasies were classy). But I caught some of an interview with Matthew Weiner recently and he was so articulate and interesting about what he was trying to accomplish with the arcs in Mad Men that I wanted to give it another shot.
Glad I did. I'm now closing in on the end of season 3 and it's fantastic. Season 2 is by far better than season 1, but I'm not sure which I'll prefer between 2 and 3 until I finish the last two episodes. If they're as good as episode 10 ("The Gypsy and the Hobo"), season 3 will be hard to beat.
Nothing new to longtime fans of the series, but in all the discussion I've heard but not bothered with over the years, I'd never realized:
(1) That Don Draper's dual life is really the core of the series. I knew that it was to some degree about identity, but didn't realize how thoroughly that is dealt with and how it forms the undercurrent for very nearly every plot point on the show.
(2) How much the series is nearly as much Peggy Olson's as it is Don Draper's. She's had a bit less going on in season 3, but I might have to take Peggy's arc over Don's in seasons 1 and 2. I just briefly looked, but it looks like Elisabeth Moss didn't win an Emmy until 2013. That's just a pure joke because she destroys every other female performance on television.
If past performance is an indicator of future results, I will power through all but the last season of the series in two weeks and then take three months to finish up. I'm glad to finally know what everyone was abuzz about for so long, though. Always good to find something great that's new to you.